{"title":"A Jewish Aloha","authors":"S. Smith","doi":"10.1093/oso/9780190623272.003.0024","DOIUrl":null,"url":null,"abstract":"In 1953, at age 65, Steiner learned that Warner Bros. would not be renewing his contract. After 16 years as a staff composer, he was forced to freelance—an especially daunting challenge given his age and failing eyesight. This chapter focuses on the plight of a proud but increasingly debilitated man forced to reinvent himself, in an industry obsessed with youth and novelty. Still massively in debt, Steiner sought a fresh start in multiple ventures: his own publishing company (a flop) and another attempt at a hit song for a major film (The Caine Mutiny; Oscar nomination for score, but no hit record, alienating its makers). Fortunately, Jack Warner was willing to bring Steiner back to his studio on a per-film basis. The resulting scores belied Steiner’s age, culminating in his final screen masterwork: John Ford’s The Searchers.","PeriodicalId":158266,"journal":{"name":"Music by Max Steiner","volume":"103 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Music by Max Steiner","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780190623272.003.0024","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
In 1953, at age 65, Steiner learned that Warner Bros. would not be renewing his contract. After 16 years as a staff composer, he was forced to freelance—an especially daunting challenge given his age and failing eyesight. This chapter focuses on the plight of a proud but increasingly debilitated man forced to reinvent himself, in an industry obsessed with youth and novelty. Still massively in debt, Steiner sought a fresh start in multiple ventures: his own publishing company (a flop) and another attempt at a hit song for a major film (The Caine Mutiny; Oscar nomination for score, but no hit record, alienating its makers). Fortunately, Jack Warner was willing to bring Steiner back to his studio on a per-film basis. The resulting scores belied Steiner’s age, culminating in his final screen masterwork: John Ford’s The Searchers.