Imagens do corpo: superfícies reversíveis e marcas de resistências no brinquedo de miriti

J. O. S. Ribeiro, Vilma Nonato de Brício
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Abstract

The objective of this paper is to reflect on the representations of the body in the images of the toy of miriti, a cultural asset of the city of Abaetetuba/Para. In this sense, we seek support in post-critical Cultural Studies, counting, among others, on Hall (2016), Kellner (1995), Foucault (1987) and Silva (1999). The methodological choice is for critical literacy , an emerging procedure for image analysis. By being intensely disseminated in blogs, books, T-shirts and handbags, the images of the couple of boyfriends represent the ideal body and couple, and they affect everyone, particularly high school youth. As it constitutes not only contemporary culture but also youth subjectivities in daily school life, the images deserve attention, because even if it represented hegemonic bodies, genders and sexualities, being its reversible representation, it is capable of constituting other ways of being and living.
身体图像:miriti玩具上的可逆表面和阻力标记
本文的目的是反思miriti玩具图像中身体的表征,这是Abaetetuba/Para市的文化资产。从这个意义上说,我们在后批判文化研究中寻求支持,其中包括霍尔(2016)、凯尔纳(1995)、福柯(1987)和席尔瓦(1999)。方法的选择是为批判性素养,一个新兴的程序图像分析。通过在博客、书籍、t恤和手袋上的密集传播,这对男友夫妇的形象代表了理想的身材和伴侣,他们影响着每个人,尤其是高中生。因为它不仅构成了当代文化,也构成了日常学校生活中的青少年主体性,所以这些图像值得关注,因为即使它代表了霸权的身体、性别和性行为,作为它的可逆再现,它也能够构成其他的存在和生活方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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