{"title":"Emotion and music: A view from the cultural psychology of music","authors":"Nicola Dibben","doi":"10.1109/ACII.2009.5349474","DOIUrl":null,"url":null,"abstract":"This paper provides an overview of current thinking in music cognition regarding the perception of emotion in music. A componential view of emotion is adopted, and a variety of routes by which music expresses emotion are presented. Two main questions for future research are identified: first, the extent to which perception and induction of emotion through music is shared cross-culturally, and second, identification of the factors that contribute to the cross-cultural perception of emotion in music. By drawing upon a biologically and ecologically informed perspective this paper aims to identify routes for future research that would enable music cognition research to shed light on the socio-historical variability of emotion perception through music.","PeriodicalId":330737,"journal":{"name":"2009 3rd International Conference on Affective Computing and Intelligent Interaction and Workshops","volume":"12 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2009-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"2009 3rd International Conference on Affective Computing and Intelligent Interaction and Workshops","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/ACII.2009.5349474","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 3
Abstract
This paper provides an overview of current thinking in music cognition regarding the perception of emotion in music. A componential view of emotion is adopted, and a variety of routes by which music expresses emotion are presented. Two main questions for future research are identified: first, the extent to which perception and induction of emotion through music is shared cross-culturally, and second, identification of the factors that contribute to the cross-cultural perception of emotion in music. By drawing upon a biologically and ecologically informed perspective this paper aims to identify routes for future research that would enable music cognition research to shed light on the socio-historical variability of emotion perception through music.