Reading the Urban Form of Fire

David Faflik
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Abstract

This chapter considers the big-city blaze as an “object” of interpretation. Given the disturbing frequency of fires that occurred there, New York in the nineteenth century became the home of a unique variety of city reader: the fire watcher. Readers of what were known in this earlier era as “conflagrations” faced a dilemma of formal proportions: whether to interpret the form of fire as a direct material threat to city peoples and property, or else as a captivating pyrotechnic display capable of delighting the senses. Compounding this formal conundrum was the question of how a reader responded to the working-class men who typically volunteered to fight these fires. It was not seldom the case that fire readers who belonged to the middle- and upper classes of society came to regard the improvised physicality and boisterous rowdyism of the amateur fireman as a threat nearly equal to that posed by the city fire.
解读火的城市形态
这一章将大城市大火视为一个解释的“对象”。鉴于火灾发生的频率令人不安,19世纪的纽约成为了一种独特的城市读者的家园:火灾观察者。在这个早期时代被称为“大火”的读者面临着形式比例的两难境地:是将火的形式解释为对城市人民和财产的直接物质威胁,还是将其解释为能够愉悦感官的迷人烟火表演。使这个正式的难题更加复杂的是,读者如何回应那些通常自愿参加灭火的工人阶级。属于社会中上层阶级的《火灾》读者经常会把业余消防员即兴的身体素质和吵闹的行为视为与城市火灾几乎相同的威胁。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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