Allegorical Interpretation of Powers' The Overstory: A Postmodern Study

S. Rashid, Asim Karim
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Abstract

This study debates The Overstory from a postmodern allegorical point of view to draw multiple meanings. In essence, postmodern allegory draws attention to a text's true meaning. By analyzing the various symbols and emblems in Richard Powers' The Overstory, this study seeks to examine postmodern allegory and determine what it all means. Because in addition to being a classic allegory, it demonstrates the variety of meanings that may be ascribed to various visual and textual elements. It continues to be inviting. The idea has been divided into other categories, such as the relationship between trees and people, trees and other living things, and trees and spirituality. In the "Tree and Human" segment, the relationship between the two is looked at from a variety of angles to convey a variety of meanings through the characters. The importance of nature's life is demonstrated in the second section of "Tree and the Other Living Things." The fourth and final part connects the connections between people and trees as a spiritual incarnation.
鲍尔斯《上层故事》的寓言阐释:后现代研究
本文从后现代寓言的角度对《上层故事》进行了探讨,得出了多重意义。从本质上讲,后现代寓言使人们关注文本的真正意义。通过分析理查德·鲍尔斯的《上层故事》中的各种符号和象征,本研究试图审视后现代寓言并确定其含义。因为除了作为经典寓言之外,它还展示了各种各样的意义,这些意义可以归因于各种视觉和文本元素。它仍然是诱人的。这一思想被分为其他类别,如树与人的关系、树与其他生物的关系、树与精神的关系。在“树与人”部分,从多个角度审视两者之间的关系,通过人物来传达多种意义。大自然生命的重要性在“树和其他生物”的第二部分得到了论证。第四部分也是最后一部分将人与树之间的联系联系起来,作为一种精神化身。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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