{"title":"CHINESE PAINTING AS A SYMBOL OF CHINOISERIE IN MODERN SOCIETY","authors":"W. Wensziao, L. Si, F. Atadjanov","doi":"10.37547/supsci-ojhpl-02-01-01","DOIUrl":null,"url":null,"abstract":"The article highlights general information about chinoiserie in modern society, describes a series of representative Chinese artificial styles, and makes a scientific generalization about the Mogu painting.","PeriodicalId":399162,"journal":{"name":"Oriental Journal of History, Politics and Law","volume":"3 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Oriental Journal of History, Politics and Law","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37547/supsci-ojhpl-02-01-01","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The article highlights general information about chinoiserie in modern society, describes a series of representative Chinese artificial styles, and makes a scientific generalization about the Mogu painting.