Intercultural Dialogue via Music: Translating the Beatles’ Legacy into Contemporary Pop Culture

Kathrin Engelskircher
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Abstract

Cultural translation phenomena are per se an intercultural product. Exchange and interaction take place every day in our globalized world. Especially with respect to music, a translational perspective can broaden the horizon of research projects in a very fruitful way. Music always combines elements from different cultures, periods and styles and can, in that way, serve as a medium of intercultural dialogue, which affects the participants of the dialogue not only on a rational, but also on an emotional level – and helps to cross borders and build bridges between different cultures. In my analysis, I take a look at the legacy of the Beatles and how it is performatively unfolded by the Spanish-Chilean band the Recalls, based in Germany. Different cultures intermingle in such appropriation and show a joyful (postmodern) handling to create a very special, discrete type of music and self-staging. Thus, music as a product of intercultural dialogue can become a chance for a successful interaction between different cultures.
通过音乐进行跨文化对话:将披头士的遗产转化为当代流行文化
文化翻译现象本身就是跨文化的产物。在这个全球化的世界里,交流和互动每天都在发生。特别是在音乐方面,翻译的视角可以以一种非常富有成效的方式拓宽研究项目的视野。音乐总是将来自不同文化、时期和风格的元素结合在一起,从而可以作为跨文化对话的媒介,不仅在理性层面上影响对话的参与者,而且在情感层面上影响对话的参与者,并有助于跨越边界,在不同文化之间建立桥梁。在我的分析中,我研究了披头士的遗产,以及总部位于德国的西班牙-智利乐队“回忆”是如何在表演上展现它的。不同的文化在这种挪用中相互融合,并表现出一种快乐的(后现代)处理,创造出一种非常特殊的、独立的音乐类型和自我舞台。因此,音乐作为跨文化对话的产物,可以成为不同文化之间成功互动的机会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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