Beyond the ivory tower

Isabella Streffen
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Abstract

How is the new impact agenda a particularly valuable opportunity for practice led ECRs whose research is frequently situated and experienced outside traditional academia? What might be the potential complications? How might it structure research design for new projects beyond the academy? Reflecting on my personal experience as an ECR in visual arts, this paper discusses the submission of my work Illuminating Hadrian’s Wall (2010) to REF2014, and the potential resubmission of the work in the context of longitudinal impact as it unfolds by REF2021. I compare approaches to impact for practice led researchers and discuss the strategic design of current research projects (for example The And Or Project which examines and speculates on reading and writing art post internet by exhibition, peer reviewed written submissions and development of a digital tool) in the context of impact, the notion of ‘the package’, and how that has structured my career trajectory since my PhD completion in 2013, through four short term postdoctoral posts at four different institutions .
走出象牙塔
新的影响议程如何为实践主导的ecr提供特别宝贵的机会,这些ecr的研究经常位于传统学术界之外,并且经验丰富?潜在的并发症是什么?它将如何为学院以外的新项目构建研究设计?反思我作为视觉艺术ECR的个人经历,本文讨论了我的作品《照亮哈德良的墙》(2010)提交给REF2014,以及在REF2021展开的纵向影响背景下重新提交作品的可能性。我比较了以实践为主导的研究人员的影响方法,并讨论了当前研究项目的战略设计(例如,通过展览、同行评审的书面提交和数字工具的开发来检查和推测阅读和写作互联网艺术帖子的and Or项目)在影响背景下的影响,“包装”的概念,以及自2013年博士毕业以来,这是如何构建我的职业轨迹的。通过在四个不同机构的四个短期博士后职位。
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