The Postmodern Aesthetic Style of the Film “A Pigeon Sat on a Branch Reflecting on Existence"

Shi Yuntian
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Abstract

Postmodern aesthetics, as a product of postmodern culture, shows resistance to traditional aesthetic values, subverts the cognitive logic of rational and absolute concepts, and has a profound impact on contemporary films. Swedish director Roy Andersson's representative work, "A Pigeon Sat on a Branch Reflecting on Existence", embodies obvious post-modern aesthetic features. Its images attempt to subvert traditional authority, the narrative is broken, the audience interacts with the depth of field lens, and the interpretation is returned to the audience. The highly copied characters and scenes show the absurdity of contemporary people's existence and the desolation of spirit and issue sharp satire to the post-modern society, Presenting a profound philosophical reflection.
《一枝鸽子坐于枝上,反思存在》电影的后现代美学风格
后现代美学作为后现代文化的产物,表现出对传统审美价值的反抗,颠覆了理性、绝对观念的认知逻辑,对当代电影产生了深刻的影响。瑞典导演罗伊·安德森的代表作《一只坐在树枝上反思存在的鸽子》体现了明显的后现代美学特征。其影像试图颠覆传统权威,叙事被打破,观众与景深镜头互动,诠释回归观众。高度复制的人物和场景展现了当代人生存的荒诞和精神的苍凉,对后现代社会进行了尖锐的讽刺,呈现出深刻的哲学反思。
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