THEORETICAL FOUNDATIONS AND SIGNIFICANCE OF CREATIVE ECONOMY IN MODERN CONDITIONS

Marina Kryvtsova
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Abstract

The aim of the article is to study the theoretical aspects of creative economy concept formation, to determine approaches to the study of creative economy as a systemic phenomenon and its significance for economic development. To achieve these goals, the following general scientific methods were used: analysis, synthesis, systematization, theoretical generalization, abstraction and analogy. Different approaches to the study of creative economy as a systemic phenomenon (new concept, system of specific socio-economic relations, part of the world economy or a specific industry, driver of economic growth, human-oriented approach) are analyzed. The creative economy is considered in the context of ensuring possibilities its development by the carriers of human potential, on which its formats, efficiency, rates of formation and scaling directly depend. The attention is focused on the place of human potential in the system of creative economy formation. Creative components of human potential (knowledge, experience, innovation) are determined. The author’s definition of the «creative economy» concept is formulated on the basis of the creative component of human potential usіng and the results of creative activity (new technologies, innovations, information, knowledge). Modern approaches to the definition of creative industries and their composition (a set of certain types of economic activity, a set of certain professions, a creative city, part of the economic system) are considered. It is determined that the attribution of different industries to creative industries in different countries and international organizations creates obstacles to the development and formation of a single mechanism for using creative industries as a tool of state and regional economic growth, therefore, it is important to develop a unified methodological approach to their distribution according to the share of the creative component. The practical significance lies in the fact that the main features for determining the creative component in different types of economic activity are formulated.
现代条件下创意经济的理论基础及其意义
本文的目的是研究创意经济概念形成的理论方面,确定研究创意经济作为一种系统现象的途径及其对经济发展的意义。为了达到这些目标,一般的科学方法包括:分析、综合、系统化、理论概括、抽象和类比。分析了将创意经济作为一种系统现象(新概念、特定社会经济关系系统、世界经济或特定产业的一部分、经济增长的驱动力、以人为本的方法)进行研究的不同方法。创意经济是在确保人类潜能载体发展的可能性的背景下被考虑的,它的形式、效率、形成速度和规模直接取决于它。关注的焦点是人的潜能在创造经济形成体系中的地位。人类潜能的创造性组成部分(知识、经验、创新)是确定的。作者对“创意经济”概念的定义是基于人类潜能开发的创意成分和创意活动(新技术、创新、信息、知识)的结果而制定的。本文考虑了创意产业及其构成(一系列特定类型的经济活动,一系列特定的职业,一个创意城市,经济体系的一部分)的现代定义方法。不同国家和国际组织对创意产业的不同归属,阻碍了创意产业作为国家和区域经济增长工具的单一机制的发展和形成,因此,有必要根据创意成分的份额制定统一的方法方法来分配创意产业。其现实意义在于阐述了确定不同类型经济活动中创造性成分的主要特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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