{"title":"En un nouveau film archaïque. Les signes de la pratique de Simon Beaulieu dans Miron : un homme revenu d'en dehors du monde","authors":"Chun-Yi Kuo","doi":"10.7202/1090096ar","DOIUrl":null,"url":null,"abstract":",","PeriodicalId":244154,"journal":{"name":"Nouvelles vues: Revue sur les pratiques, les théories et l'histoire du cinéma au Québec","volume":"10 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nouvelles vues: Revue sur les pratiques, les théories et l'histoire du cinéma au Québec","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7202/1090096ar","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}