Out of the “Dregs of the Eighties” and Screaming at the New World Order

D. Pearson
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Abstract

In the late 1980s, the US punk scene was plagued by Nazi skinheads, macho violence, and hostility toward leftist politics. At the dawn of the 1990s, several punk bands challenged this state of affairs by putting radical leftist politics at the heart of the scene, ejecting racists, and opening space for women, Latino, and queer participants. They fostered new and more intense musical styles distinct from New York Hardcore (NYHC) style, and built new institutions—zines, performance venues, and record labels—to give shape to their music and politics. The music of the all-Latino band Los Crudos exemplifies the trend of intense hardcore punk with a strident political message.
从“八十年代的渣滓”中走出来,对世界新秩序大喊大叫
20世纪80年代末,美国朋克乐坛被纳粹光头党、大男子主义暴力和对左翼政治的敌意所困扰。在20世纪90年代初,一些朋克乐队挑战了这种状况,他们将激进的左翼政治置于舞台的核心,驱逐种族主义者,并为女性、拉丁裔和酷儿参与者开放空间。他们培养了与纽约硬核(NYHC)风格截然不同的新的、更强烈的音乐风格,并建立了新的机构——杂志、表演场所和唱片公司——来塑造他们的音乐和政治。全拉丁裔乐队Los Crudos的音乐体现了强烈的硬核朋克与尖锐的政治信息的趋势。
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