Embroidering Translations between Digital Art and Design for a Sustainable Environment

Rodrigo Rosales González, Ana Carolina Robles Salvador
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Abstract

The purpose of this collaboration is to offer elements for discussion on the role of intersections among art, design, and technology for approaching the socialization environmental issue as an exercise of visualization praxis. Concretely, it is appealed the case of an interactive piece, expressly designed, called trasTocar (to disrupt) exhibited in Zanbatha, the municipal museum in the inner state of México. This artwork agglomerates multiple perspectives for discussion: the theoretical border between art and design to solve communication problems; to inform people about altered and polluted surroundings landscape because of their individual actions; the addressing to spectators through technology to modify their behavior; and, the possibility to obtain data from this interaction.
数字艺术与可持续环境设计之间的刺绣翻译
这次合作的目的是为讨论艺术,设计和技术之间的交叉点的作用提供元素,以接近社会化环境问题,作为可视化实践的练习。具体地说,这是一个交互式的作品,明确设计,被称为trasTocar(破坏)展出在赞巴塔,市政博物馆在内州的m希科。这个作品集合了多个角度进行讨论:艺术与设计的理论边界,解决沟通问题;告知人们因个人行为而改变和污染的环境景观;通过技术手段来改变观众的行为;从这种相互作用中获得数据的可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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