Interpreting Buddhist Influences in Kawamoto’s Puppet Animation

M. Yokota
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Abstract

In the field of Japanese independent animation, the late Kawamoto Kihachiro (1925-2010) made tremendous contributions. This chapter discusses in particular his puppet animations which are steeped with Japanese native beliefs and elements of Buddhist thought. From a clinical psychologist’s perspective, the author analyzes the spiritual dimensions of his work, particularly highlighting the native traditions and assimilated foreign thought systems that are encased within his creations. Specifically, The Book of The Dead (2005) is examined in the essay as it was created when Kawamoto was eighty years old. Issues like mid-life crisis, death, and other related matters are explored as the author surveys the creative and personal life of the master-animator. The author’s interpretation posits that Kawamoto’s puppet animation essentially tried to express the concepts of suffering and enlightenment, and that his work is related to his profound connections to the Japanese people and the historical evolution of a new Japan after the Second World War.
解读川本木偶动画中的佛教影响
在日本独立动画领域,已故的川本木八郎(1925-2010)做出了巨大的贡献。本章特别讨论了他的木偶动画,这些动画充满了日本本土的信仰和佛教思想的元素。作者从临床心理学家的角度分析了其作品的精神维度,特别强调了其作品中所包含的本土传统和同化的外来思想体系。具体来说,《亡灵之书》(2005)是在这篇文章中被审查的,因为它是在川本八十岁的时候创作的。像中年危机,死亡和其他相关问题的探讨,作者调查的创作和个人生活的动画大师。笔者的解读认为,川本的木偶动画本质上是试图表达痛苦和启蒙的概念,他的作品与他与日本人民的深刻联系以及第二次世界大战后新日本的历史演变有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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