Szpilman, Bajgelman, Barsht

Joel E. Rubin
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引用次数: 0

Abstract

This chapter focuses on the post-war fate of the Szpilmans, Bajgelmans, and Barshts, which are an extended family of professional Jewish instrumentalists that originated from Ostrowiec Swietokrzyski in Poland. It explores how the Szpilmans, Bajgelmans, and Barshts played important roles as performers and composers in genres as diverse as instrumental klezmer, jazz, chamber, symphonic music, Yiddish theatre, vaudeville, and Brazilian dance music. It also mentions Władysław Szpilman as the most famous family member, whose memoirs formed the basis of Roman Polanski's Oscar-winning film, The Pianist. The chapter provides an ethnography of elderly living musicians that became part of salvage ethno-musicology, cultural history, and genealogy. It looks into activities of professional Jewish musicians from klezmer families, whose work and experience expanded in a number of directions, especially during the second half of the nineteenth century.
这一章主要讲述了斯皮尔曼、巴格尔曼和巴什特的战后命运,他们是一个来自波兰Ostrowiec Swietokrzyski的专业犹太乐器演奏家大家庭。它探讨了斯皮尔曼、巴格尔曼和巴什特是如何在各种类型的乐器克莱兹默、爵士、室内乐、交响乐、意第绪语戏剧、杂耍和巴西舞蹈音乐中扮演重要角色的。它还提到Władysław斯皮尔曼是最著名的家庭成员,他的回忆录构成了罗曼·波兰斯基获得奥斯卡奖的电影《钢琴家》的基础。本章提供了一个民族志的老年生活音乐家,成为打捞民族音乐学,文化史和家谱的一部分。它着眼于来自klezmer家族的专业犹太音乐家的活动,他们的工作和经验在许多方向上扩展,特别是在19世纪下半叶。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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