EFFECTS OF SOUNDS AND LYRICS IN BRICK TILE INSTALLATION; INNOVATIVE METHODS OFARCHITECTURAL EDUCATION

Alireza Mashhadimirza
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Abstract

This qualitative paper investigates a new method of architectural education in architecture studio monitoring in the field of brick tilling. It covered a background to the related fields based on art and design methods, which have been used in Iran dating back thousands of years until present. As a research methodology, a deep observation on conventional method of carpet-weaving workshops, shaped the first steps of this article. In this method, the overall plan that includes a floral carpet to ranges of square pixels and color finds their own characteristics as paint, rows and columns. In these studios, someone took the coded map and sang respectively, row after row to be applied by others. This paper aimed to apply similar mix methods of coding by using songs for tiling the bricks. Iranian architecture students covered the scope of study in three different phases. The method of “Ava Chideman” is derived from the weaving technique and the combination of sounds and installation of tile works, which its results have been analyzed in this paper. Researcher believed this paper would help current and future designers and researchers. Additionally, this methodology aims to minimize the expert's role to produce safe and vernacular built forms and economical housing, while trying not to compromise on quality and freedom of local needs.
砖瓦装置中声音与歌词的效果创新建筑教育方法
本文探讨了一种新的建筑教育方法,即建筑工作室在砌砖领域的监控。它涵盖了基于艺术和设计方法的相关领域的背景,这些方法在伊朗可以追溯到几千年前直到现在。作为一种研究方法,本文的第一步是对传统地毯编织作坊的方法进行深入观察。在这种方法中,包括一个正方形像素和颜色范围的花卉地毯的总体规划找到了自己的特征,如油漆、行和列。在这些工作室里,有人拿着编码的地图,分别唱着,一排接一排地给别人应用。本文旨在应用类似的混合编码方法,使用歌曲来铺砖。伊朗建筑学生的研究范围分为三个不同的阶段。“艾娃·奇德曼”的创作方法来源于瓦片作品的编织技术和声音与装置的结合,本文对其效果进行了分析。研究人员认为这篇论文将有助于当前和未来的设计师和研究人员。此外,这种方法的目的是尽量减少专家在生产安全和乡土建筑形式和经济住房方面的作用,同时尽量不损害当地需求的质量和自由。
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