Quest for Identity, Pessimism, and Spiritual Crisis in Eugene O’Neill’s The Hairy Ape

Dr. Sarvjeet Kaur
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Abstract

The theme of the spiritual crisis afflicting modern man runs through all the major plays of O’Neill imparting to them a coherent body. The Hairy Ape can be regarded as one of the most representative plays in this regard as it presents powerfully the journey of a soul from innocence to experience, from a world of harmony to that of spiritual crisis. This article will focus on the different dimensions of the disintegration besetting the materialistic society of modern America. Besides analysing Yank’s illusory experience of harmony with the world around him, it will map out the gradual process of awareness which brings to him a clear view of the world as a heap of broken images. The spiritual and psychological crisis generated by the stark view of real human conditions will be examined in some detail. The playwright’s depiction of this experience, with both its aspects of dark nihilism as well as a struggle to search for some flickering ray of hope, will constitute an important part of this discussion.
尤金·奥尼尔《毛猿》中的身份追寻、悲观主义与精神危机
困扰现代人的精神危机这一主题贯穿于奥尼尔的所有主要戏剧之中,赋予它们一个连贯的整体。《毛猿》可以被认为是这方面最具代表性的戏剧之一,因为它有力地展现了一个灵魂从纯真到经验,从和谐的世界到精神危机的旅程。本文将集中讨论困扰现代美国物质主义社会的解体的不同方面。除了分析扬克与周围世界和谐相处的虚幻体验外,它还将描绘出他逐渐意识到世界是一堆破碎图像的清晰视角的过程。对真实的人类状况的赤裸裸的看法所产生的精神和心理危机将在一些细节上加以审查。剧作家对这段经历的描述,既有黑暗虚无主义的一面,也有寻找闪烁希望之光的挣扎,将构成本次讨论的重要部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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