{"title":"O POEMA COMO PEÇA DE EXPOSIÇÃO","authors":"Armando Gens","doi":"10.25094/rtp.2005n3a180","DOIUrl":null,"url":null,"abstract":"ABSTRACT – This study deals with the relationships between poetry and the plastic arts, as well as the exploration of the materiality of the sign, particularly so in the context of the theorectical debates and the literary production which were developed in Europe and in Brazil in the last three decades of the XIX century.","PeriodicalId":128456,"journal":{"name":"Revista Recorte","volume":"71 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2015-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista Recorte","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25094/rtp.2005n3a180","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT – This study deals with the relationships between poetry and the plastic arts, as well as the exploration of the materiality of the sign, particularly so in the context of the theorectical debates and the literary production which were developed in Europe and in Brazil in the last three decades of the XIX century.