Planetary Los Angeles: Climate Realism and Transnational Narrative in Amitav Ghosh’s Gun Island (2019)

Edwin Gilson
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引用次数: 2

Abstract

ABSTRACT This essay argues that the fire-plagued Los Angeles of Amitav Ghosh’s 2019 novel Gun Island functions as a device to illuminate the planetary processes and continuities of climate change and the Anthropocene. I demonstrate the ways in which Ghosh makes metaphorical connections between the disparate settings of his novel – particularly L.A and the Sundarbans delta in the Bay of Bengal – to portray the Earth as a single living organism defined by environmental, ecological and social flux. As a consequence of this transnational narrative, Los Angeles becomes a symptom of planetary malaise rather than a distinct, bounded space. Analysing Gun Island primarily through the framework of Lynn Badia, Marija Cetinic and Jeff Diamanti’s conception of ‘climate realism’ – with reference also to Amy Elias and Christian Moraru’s ‘planetarity’ and Ursula Heise’s ‘sense of planet’ – I explain how the novel exhibits a contemporary realist form that rejects provincial thinking and advocates a planetary consciousness. Moreover, I contend that Gun Island departs from the long lineage of Los Angeles disaster literature, suggesting that Ghosh’s L.A does not expose national anxieties – as has often been the case in such fiction – but rather a planetary condition.
行星洛杉矶:阿米塔夫·高什的《枪岛》中的气候现实主义和跨国叙事(2019)
阿米塔夫·高希(Amitav Ghosh) 2019年的小说《枪岛》(Gun Island)中,火灾肆虐的洛杉矶作为一个装置,照亮了气候变化和人类世的行星过程和连续性。我展示了高希如何在他的小说中不同的背景之间建立隐喻性的联系——尤其是洛杉矶和孟加拉湾的孙德尔本斯三角洲——将地球描绘成一个由环境、生态和社会变化所定义的单一生命体。这种跨国叙事的结果是,洛杉矶成为全球萎靡不振的征兆,而不是一个独特的、有限的空间。我主要通过林恩·巴迪亚、玛丽亚·切蒂尼奇和杰夫·迪亚曼蒂的“气候现实主义”概念来分析冈岛,同时参考艾米·伊莱亚斯和克里斯蒂安·莫拉鲁的“行星”和乌苏拉·海斯的“行星感”,解释小说如何展示当代现实主义形式,拒绝狭隘的思维,倡导行星意识。此外,我认为冈岛脱离了洛杉矶灾难文学的悠久血统,这表明高希的洛杉矶并没有暴露出国家的焦虑——就像这类小说中经常出现的那样——而是一个星球的状况。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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