"Afro-Pacific" Cultural Industries: Crossroads of Multiculturalism in Cali, Colombia

Mateo Pazos Cárdenas
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引用次数: 4

Abstract

| This article analyzes the incursion of cultural industry projects in various scenarios in the city of Cali (Colombia) and their linkage with Afro-Colombian cultural diversity, which is one of the city’s strongest socio-demographic and cultural components. The municipal Secretariat of Culture and Tourism has fomented this process since 2008 and has gradually sought to strengthen the ideological and praxeological proposal. It has done this by articulating the city’s cultural offerings with efforts to create economic opportunities in the trade and services sectors and, simultaneously, with the multicultural discourse of the Colombian nation-state. The argumentation of the article was constructed through a documentary methodology, recovering reports and studies from the public archives of the Secretariat of Culture and Tourism, and taking the “Petronio Alvarez” Pacific Music Festival as the case for analysis. The article demonstrates that diverse tensions arise in implementing these projects which overlook the experiences of the city’s Afro-Colombian populations who are trying to participate, since they have been designed by the nation-state in such a way as to condition and sectorize the benefits.
“非洲-太平洋”文化产业:哥伦比亚卡利多元文化的十字路口
|本文分析了文化产业项目在哥伦比亚卡利市的各种情况下的入侵,以及它们与非裔哥伦比亚文化多样性的联系,这是该市最强大的社会人口和文化组成部分之一。自2008年以来,市文化和旅游秘书处一直在推动这一进程,并逐渐寻求加强意识形态和行动建议。它通过在贸易和服务部门创造经济机会,同时通过哥伦比亚民族国家的多元文化话语,阐明了城市的文化产品,从而实现了这一目标。本文的论证采用文献方法,从文化和旅游秘书处的公共档案中恢复报告和研究,并以“佩特罗尼奥阿尔瓦雷斯”太平洋音乐节为案例进行分析。这篇文章表明,在实施这些项目时出现了各种各样的紧张局势,这些项目忽视了该市试图参与的非洲裔哥伦比亚人的经历,因为这些项目是由民族国家设计的,目的是限制和划分利益。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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