{"title":"Satellite Dishes, a Creative Incubator, and the Displacement of Aesthetics in Amsterdam","authors":"D. Wesselman","doi":"10.5117/9789463722032_CH09","DOIUrl":null,"url":null,"abstract":"This chapter examines an aesthetic clash in the neighbourhood of Bos en\n Lommer in Amsterdam. One side of the street features decorated satellite\n dishes attached to social housing, which constitutes a battleground\n for otherness. Such dishes are broadly opposed in Dutch public and\n institutional discourse for being “ugly,” which amounts to xenophobia\n expressed in aesthetic terms. Opposite is a disused school building recently\n converted to an art-space-cum-hostel called WOW Amsterdam, a “creative\n incubator” that injects aesthetic difference and thereby the politics\n of gentrification into the area through foregrounding art, fashion and\n consumption. I argue that this clash shows how aesthetics are politics,\n and that the newly-inserted global gentrification aesthetic – following\n the creative incubator formula – displaces the aesthetics, and politics, of\n the battle for otherness across the street.","PeriodicalId":199048,"journal":{"name":"Aesthetics of Gentrification","volume":"325 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Aesthetics of Gentrification","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5117/9789463722032_CH09","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter examines an aesthetic clash in the neighbourhood of Bos en
Lommer in Amsterdam. One side of the street features decorated satellite
dishes attached to social housing, which constitutes a battleground
for otherness. Such dishes are broadly opposed in Dutch public and
institutional discourse for being “ugly,” which amounts to xenophobia
expressed in aesthetic terms. Opposite is a disused school building recently
converted to an art-space-cum-hostel called WOW Amsterdam, a “creative
incubator” that injects aesthetic difference and thereby the politics
of gentrification into the area through foregrounding art, fashion and
consumption. I argue that this clash shows how aesthetics are politics,
and that the newly-inserted global gentrification aesthetic – following
the creative incubator formula – displaces the aesthetics, and politics, of
the battle for otherness across the street.
本章考察了阿姆斯特丹Bos en Lommer社区的审美冲突。街道的一侧是与社会住房相连的装饰卫星天线,这构成了一个差异性的战场。这些菜肴在荷兰的公众和机构话语中被广泛反对,因为它们“丑陋”,这相当于用美学术语表达的仇外心理。对面是一座废弃的学校建筑,最近被改造成一个名为WOW Amsterdam的艺术空间兼旅馆,这是一个“创意孵化器”,通过突出艺术、时尚和消费,将审美差异注入该地区,从而将中产阶级化的政治注入该地区。我认为,这种冲突显示了美学是如何成为政治的,而新插入的全球中产阶级化美学——遵循创造性孵化器公式——取代了街对面为他者而战的美学和政治。