Forbidden Words: Taboo Texts in Popular Literature and Cinema

S. Whitty
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Abstract

In his essay “Forbidden Words: Taboo Texts in Popular Literature and Film,” Whitty investigates the occult in popular fiction beginning in the nineteenth century and in film since the twentieth century. He discovers a recurring theme in these works: the discovery of an esoteric text containing “forbidden words,”that reveal knowledge of secrets that unleash powerful evil. His broad survey of forbidden words ranges from the Garden of Eden, the Kabala, to the Victorian penny dreadful, to the “Weird Tales” magazine, and the vampire novels of Anne Rice, to name a few.He takes us through myriad films including Nosferatu(1920), The Mummy (1932), The Seventh Victim(1943), Rosemary’s Baby (1968),TheExorcist(1973), and Ruby Sparks (2012) to demonstrate thissame phenomenon.
禁忌语:通俗文学与电影中的禁忌文本
在他的文章《禁忌语:通俗文学和电影中的禁忌文本》中,惠蒂调查了19世纪以来通俗小说和20世纪以来电影中的神秘主义。他在这些作品中发现了一个反复出现的主题:发现了一份包含“禁语”的深奥文本,它揭示了释放强大邪恶的秘密知识。他对禁忌词汇进行了广泛的调查,从伊甸园、卡巴拉到维多利亚时代的便士恐怖,到“怪异故事”杂志,以及安妮·赖斯的吸血鬼小说,不一而足。他带我们看了无数部电影,包括《诺斯费拉图》(1920年)、《木乃伊》(1932年)、《第七个受害者》(1943年)、《罗斯玛丽的孩子》(1968年)、《驱魔人》(1973年)和《鲁比·斯帕克斯》(2012年),以展示同样的现象。
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