FEATURES OF SENTIMENTALISM IN THE PASTORAL NOVEL OF WILLIAM GODWIN "IMOGEN"

M. A. Seregina
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Abstract

The subject of the article is the peculiarities of sentimentalism in one of W. Godwin's early novels "Imogen". The author comes to the conclusion that, relying on the traditional understanding of sentimental pastoralism (the leading role of nature in the "bucolic" or "Georgian" understanding, the use of a pastoral chronotope, idealization of the pastoral lifestyle, the depiction of platonic feelings between heroes, the presence of pastoral conflicts), W. Godwin uses these features as a background to illustrate his socio-political ideas. He widely uses the technique of contrast, building a system of conflicts on its basis, complicates the nature of the characters and the relationships between them, making them more contradictory, and experiments with style and genre canons. As a result, the originality of the author's perception of sentimentalism in the pastoral novel "Imogen" lies in the mixture of typically sentimental features and the author's specific socio-political worldview. In addition, while writing the novel, the writer's style is still in development, which also leaves an imprint on the manifestation of a sentimental basis in the work.
威廉·戈德温田园小说《伊莫金》的感伤主义特征
本文的主题是戈德温早期小说《伊莫金》中感伤主义的特点。作者的结论是,戈德温基于对感怀式田园主义的传统理解(自然在“田园式”或“格鲁吉亚式”理解中的主导作用、对田园式时表的使用、对田园生活方式的理想化、对英雄之间柏拉图式感情的描绘、田园冲突的存在),将这些特征作为背景来阐述他的社会政治思想。他广泛运用对比手法,在此基础上构建冲突体系,使人物的性质和人物之间的关系复杂化,使人物之间的关系更加矛盾,并对风格和类型标准进行实验。因此,作者在田园小说《伊莫金》中感伤主义感知的独创性在于将典型的感伤特征与作者特定的社会政治世界观相结合。此外,在创作小说的同时,作家的风格仍在发展,这也在作品中留下了感伤基础的印记。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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