THE COMPLEX OF HEADINGS AND FINALS IN MARINA PALEI GENRE SEARCHES

Abstract

Marina Palei quickly and distinctly entered Russian literature as a prose-narrator of the traditional type, but over time she began to work artistically vividly in various genre forms. The article analyzes the complex of headings and finals (CHF) of her prose works, and creative modifications of CHF in her screen and film prose «Long distance, ili slavianskii aktsent», «Letnii kinoteatr: Kinorasskazy» and in poetry books «Kontrol’nyipotselui v golovu», «Ingermanlandiia»,«Tiuremnyi perestuk», «Inok» as a process and result of her writer’s evolution.