HIGH PERFORMANCE STUDIO ROOMS FOR SIMPLE DOMESTIC CONSTRUCTION

P. Newell, K. Holland
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Abstract

The Covid pandemic forced many people to think about building sound recording and mixing facilities, of professional performance, in or near their own homes. The uncertainty about the future also influenced this choice, due to the risk of committing to expensive long-term rents or leases. However, these new studios have tended to be primarily functional, without particularly having to impress attending clients with the expensive decoration or ancillaries of more typically commercial studios. The resulting ability to concentrate primarily on the acoustics has not only greatly reduced the cost of construction, but has also often permitted the achievement of ‘higher than expected’ acoustic quality for such facilities. Furthermore, this quality can usually be achieved without the need for anything other than standard building material, and with construction techniques that are within the capabilities of any person with a decent command of a hammer, screwdriver and a few saws. This paper will explore the performance-goals to be met, the basic acoustical concepts and their practical realisation, but it will also consider the difficulties in trying to simulate the results with simple computer programs, because the acoustic goals that must be achieved consist of more than ‘global’ numbers. © 2021 Institute of Acoustics. All rights reserved.
高性能工作室,用于简单的家庭建筑
新冠疫情迫使许多人考虑在自己家中或附近建造专业表演的录音和混音设施。由于承担昂贵的长期租金或租赁的风险,未来的不确定性也影响了这种选择。然而,这些新工作室往往主要是功能性的,并不特别需要用昂贵的装饰或更典型的商业工作室的附属设施来打动客户。由此产生的主要集中在声学上的能力不仅大大降低了建筑成本,而且还经常允许实现“高于预期”的声学质量。此外,这种质量通常不需要标准建筑材料以外的任何东西,只要能熟练使用锤子、螺丝刀和几把锯,任何人都能掌握建筑技术。本文将探讨要达到的性能目标,基本声学概念及其实际实现,但它也将考虑用简单的计算机程序模拟结果的困难,因为必须达到的声学目标不仅仅是由“全局”数字组成的。©2021声学研究所。版权所有。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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