Decentering America: Visual Intertextuality and the Quest for a Transnational American Studies

R. Kroes
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Abstract

The planned removal of a Civil War monument in Charlottesville, Virginia, was the pretext for a white supremacist rally there in August 2017. It brought American fascists back into the streets, marching under the banner of a virulent nativism, of a vicious fear of being removed from the pedestal of their proper place in society. It also brought to the minds of people watching these images on TV older visual repertoires dating back to Nazi-Germany, fascist Italy, and similar racist clashes elsewhere. In such a stream of consciousness, such a chain of visual recollections, national settings—American or otherwise—are transcended. The wandering—and wondering—mind of the observer moves in a space naturally trans- national. The following essay considers the implications of such mental processes for the established forms of discourse among historians.
去中心化的美国:视觉互文性和对跨国美国研究的探索
弗吉尼亚州夏洛茨维尔市一座内战纪念碑的拆除计划,是2017年8月白人至上主义者在那里举行集会的借口。它使美国法西斯主义者重新走上街头,打着一种恶毒的本土主义的旗号,打着一种害怕被从他们在社会中应有位置的基座上移除的恶毒的恐惧。在电视上观看这些画面的人也会想起纳粹德国、法西斯意大利以及其他地方类似的种族主义冲突。在这样的意识流中,这样的视觉回忆链中,国家背景——无论是美国的还是其他国家的——都被超越了。观察者的漫游和好奇的心灵在一个自然跨国的空间中移动。下面的文章考虑了这种心理过程对历史学家之间既定话语形式的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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