The Machine as Artist: An Introduction

Glenn W. Smith, F. Leymarie
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引用次数: 20

Abstract

With the understanding that art and technology are continuing to experience an historic and rapidly intensifying rapprochement—but with the understanding as well that accounts thereof have tended to be constrained by scientific/engineering rigor on the one hand, or have tended to swing to the opposite extreme—it is the goal of this special issue of Arts to provide an opportunity for artists, humanists, scientists, and engineers to consider this development from the broader perspective which it deserves, while at the same time retaining a focus on what must surely be the emerging core of our subject: the state of the art in mechatronics and computation is such that we can now begin to speak comfortably of the machine as artist—and we can begin to hope, as well, that an aesthetic sensitivity on the part of the machine might help lead to a friendlier and more sensitive machine intelligence in general.
作为艺术家的机器:简介
我们认识到艺术和技术正在继续经历一场历史性的、迅速加强的和解——但我们也认识到,一方面,对这一和解的解释往往受到科学/工程严谨的限制,或者倾向于走向相反的极端——本期《艺术》特刊的目标是为艺术家、人文主义者、科学家、和工程师要考虑这种发展从更广泛的角度来看它值得,同时保持关注我们肯定是新兴的核心主题:艺术在机电一体化的状态和计算,我们现在可以开始说安慰的话作的机器我们可以开始希望,,,一个审美敏感性的机器可能有助于导致更友好和更敏感的机器智能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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