Influence of harmonic loudness on piano timbre preference

Yuxiang Cai, Xuefeng Zhou
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引用次数: 1

Abstract

Digital music is more and more popular in nowadays. However, more sophisticated music production has received little scholarly attention. This study examined piano timbre preference between melodies of non-processing sound source of software and two kinds of adjustment by equalizer - a basic tool for recording engineering and for audio materials production in this study. Using the dual comparison method, 98 respondents were surveyed. The survey results show that, in the bass range of the piano sound, the audio material produced by equalizer with reducing the loudness of the 7th and 9th harmonics by 15dB, while enhancing the loudness of the 8th harmonics by 15dB, is the most favorite. Such result implies an application prospect in recording engineering and AI music production.
和声响度对钢琴音色偏好的影响
如今,数字音乐越来越受欢迎。然而,更复杂的音乐制作却很少受到学术界的关注。本研究考察了非处理音源软件旋律与均衡器(录音工程和音频材料制作的基本工具)两种调节方式之间的钢琴音色偏好。采用双重比较法对98名受访者进行了调查。调查结果表明,在钢琴声音的低音范围内,均衡器产生的音频材料最受欢迎,该音频材料将7、9次谐波的响度降低了15dB,而将8次谐波的响度提高了15dB。这一结果在录音工程和人工智能音乐制作中具有广阔的应用前景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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