Theatre and Conversion in Early Modern Zürich, Berne and Lucerne

Abstract

The limits of theatre as a medium for religious indoctrination became an object of exploration, debate, and censorship in the Swiss cities of Zürich, Berne and Lucerne. This chapter addresses how the civil and religious authorities of these cities struggled to control not just the content, but the audience’s interpretations of religious plays in the context of the Reformation.