Traveling with “Ancient Music”

William Robin
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引用次数: 2

Abstract

In reforming psalmody in early nineteenth-century New England, participants in the so-called “Ancient Music” movement imported the solemnly refined hymn tunes and scientific rhetoric of Europe. This transatlantic exchange was in part the result of European travels by a generation of young members of the American socioeconomic and intellectual elite, such as Joseph Stevens Buckminster and John Pickering, whom scholars have not previously associated with hymnody reform. This study asserts that non-composers, particularly clergy and academics, played a crucial role in the “Ancient Music” movement, and offers a fuller picture of a little-examined but critical period in the history of American psalmody. Tracing the transatlantic voyages of figures like Buckminster and Pickering reveals that the actions and perspectives of active participants in the Atlantic world shaped “Ancient Music” reform and that hymnody reform was part of a broader project of cultural and intellectual uplift in New England.
与“古乐”同行
在19世纪早期新英格兰的圣诗改革中,所谓的“古代音乐”运动的参与者引进了欧洲庄严精致的赞美诗曲调和科学的修辞。这种跨大西洋的交流在一定程度上是美国社会经济和知识精英中的一代年轻成员在欧洲旅行的结果,比如约瑟夫·史蒂文斯·巴克敏斯特(Joseph Stevens Buckminster)和约翰·皮克林(John Pickering),学者们以前没有把他们与赞美诗改革联系起来。这项研究断言,非作曲家,特别是神职人员和学者,在“古代音乐”运动中发挥了至关重要的作用,并提供了一个更全面的画面,在美国赞美诗的历史上,一个很少被研究但关键的时期。追寻巴克明斯特和皮克林等人物的跨大西洋航行揭示了大西洋世界积极参与者的行为和观点塑造了“古代音乐”改革,赞美诗改革是新英格兰文化和智力提升的更广泛项目的一部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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