Comparative Study of Music Visualization based on CiteSpace at China and the World

Hai-Yan Zheng, Zhengqing Jiang
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Abstract

Music visualization is a visual art form for understanding, analyzing and comparing the internal structure and expressive features of music. It meets the aesthetic demand of the masses in the digital age. This paper reviews the development and research status of the music visualization literature in the past 20 years, comprehensively analyzes the research process and current hotspots of music visualization, and speculates the future development trend. We have used Web of Science (WoS) and China National Knowledge Infrastructure (CNKI) as data sources, used CiteSpace software to compare and analyze the year, country, subject distribution and hot keywords of music visualization literature at China and the world from 2000 to 2020 by the method of Mapping Knowledge Domain. The results show that the research on music visualization at China and other countries is showing an upward trend, and it presents the characteristics of multi-disciplinary integration. Different application scenarios, research methods and development stages lead to different research hotspots between different countries. The shortcomings of Chinese research in this field lies in that the research content needs to be deepened, the interdisciplinary content needs to be integrated, and applications of music visualization needs to be popularized.
基于CiteSpace的中国与世界音乐可视化比较研究
音乐可视化是一种理解、分析和比较音乐的内在结构和表现特征的视觉艺术形式。它满足了数字时代大众的审美需求。本文回顾了近20年来音乐可视化文献的发展和研究现状,综合分析了音乐可视化的研究过程和当前热点,并对未来的发展趋势进行了推测。以WoS (Web of Science)和CNKI (China National Knowledge Infrastructure)为数据源,利用CiteSpace软件,采用知识图谱的方法,对2000 - 2020年中国和世界音乐可视化文献的年份、国家、学科分布和热点关键词进行了比较分析。结果表明,国内外对音乐可视化的研究呈现出上升趋势,呈现出多学科融合的特点。不同的应用场景、研究方法和发展阶段导致不同国家的研究热点不同。中国在该领域研究的不足在于研究内容有待深化,跨学科内容有待整合,音乐可视化应用有待推广。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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