Representasi Elemen-elemen Jurnalisme dalam Film Spotlight

I. Irawati
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引用次数: 0

Abstract

ABSTRAK             Kejurnalistikan bisasanya identik dengan media-media mainstream seperti halnya televisi, radio, koran atau majalah. Film merupakan salah satu media massa yang mampu memuat unsur- unsur jurnalisme, sama halnya seperti media mainstream lainnya. Salah satu film yang bertemakan jurnalisme adalah film Spotlight.                    Tujuan dari penelitian ini yaitu untuk  mengetahui apakah film Spotlight mampu merepresentasikan elemen-elemen jurnalisme. Seperti halnya merepresentasikan tentang kewajiban utama jurnalisme adalah kebenaran, loyalitas pertama jurnalisme kepada warga masyarakat dan lain sebagainya.                    Pemilihan analisis dalam penelitian ini menggunakan analisis semiotika Charles Sanders Pierce.  Analisis Pierce dikenal dengan Triangel meaning  yang terdiri dari Sign, objek dan interpretant.             Hasil penelitian menunjukan bahwa film spotlight mampu merepresentasikan elemen-elemen jurnalisme, hampir setiap adegan mengandung elemen jurnalisme, seperti adegan dimana salah satu tokoh mengusulkan untuk menuliskan nomor telepon surat kabar mereka, agar warga dapat menelpon langsung ke kantor mereka. Selain itu dalam penelitian ini menenukan pengembangan baru berdasarkan pemikiran Pierce, teori Pierce itu untuk menganalisis  suatu tanda menggunakan tiga unsur yaitu Sign objek dan interpretant sedang hasil yang dikembangkan dari teorinya pierce menjadi empat unsur yaitu sign, objek, konteks dan interpretant. Kata Kunci :  Semiotika; Elemen Jurnalisme; spotlight   Abstract The journalist is usually synonymous with mainstream media such as television, radio, newspapers or magazines. Film is one of the mass media that is able to contain elements of journalism, as well as other mainstream media. One of the films with the theme of journalism is the Spotlight film. The purpose of this study is to find out whether the Spotlight film is able to represent elements of journalism. Just as representing the main obligations of journalism is truth, journalism's first loyalty to citizens and so on. The choice of analysis in this study used Charles Sanders Pierce's semiotic analysis. Pierce's analysis is known as Triangel meaning which consists of Signs, objects and interpreters. The results showed that spotlight films were able to represent elements of journalism, almost every scene contained an element of journalism, such as a scene where one of the figures suggested writing their telephone number so that citizens could call directly to their office. In addition, in this study, a new development was based on Pierce's thinking, Pierce's theory to analyze a sign using three elements, namely the Sign object and interpretant while the results developed from Pierce's theory became four elements namely sign, object, context and interpretant.   Keywords: Semiotics; Elements of Journalism; spotlight
聚光灯下新闻元素的表现
电视、广播、报纸或杂志等主流媒体就是其抽象概念的同义词。电影是媒体和主流媒体一样,能够容纳新闻元素的主流媒体。其中一部以新闻为主题的电影是聚光灯。这项研究的目的是确定聚光灯是否能代表新闻的要素。正如它所代表的新闻的首要义务是真理一样,新闻对公民和其他公民的第一忠诚。采用符象分析查尔斯·桑德斯·皮尔斯对本研究进行分析。皮尔斯的分析被认为是由符号、物体和解释组成的三角意思。研究表明,聚光灯可以代表新闻元素,几乎每个场景都有新闻元素,比如其中一个角色建议写下他们报纸的电话号码,这样人们就可以直接打电话到他们的办公室。此外,皮尔斯的研究还发现了一种基于皮尔斯思维的新发展,皮尔斯理论分析了一个由三个元素组成的符号,即符号、物体和解释学关键词:符号学;新闻元素;聚光灯不受影响的记者通常是这样的主流媒体、广播、新闻记者或杂志的记者。电影是一种大众媒体,它能像其他主流媒体一样扭曲新闻元素。与新闻主题有关的电影之一是聚光灯电影。这个研究的目的是找出聚光灯是否可以重复旅程的元素。正如所代表的,主要的旅行责任是真实的,公民是第一个忠诚的责任。这项研究中查尔斯·桑德斯·皮尔斯(Charles Sanders Pierce)的次分析选择。皮尔斯的分析人员认为这些符号、物体和解说员所代表的三位一体的意思。结果表明,这些凸起的照片可以重复旅程的元素,几乎每个场景都包含了旅程的元素,这就像一个临时照片暗示写他们的电话号码的场景,这样市民就可以直接打电话给他们的办公室。另外,在这个研究中,皮尔斯思考的新发展是基于皮尔斯的想法,皮尔斯分析一个迹象,使用三种元素,namely的迹象和解释,而结果是四种元素的签名,对象和解释。安装:Semiotics;新闻元素;聚光灯
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