Hollywood in the Hinterland: Newspapers, Itinerant Films and Community Identity in the 1920s

Caitlin Cieslik-Miskimen
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Abstract

Itinerant films represented a substantial media and cultural phenomenon during the first half of the 20th century, and provided a localized form of a mass culture product. Through an analysis of archival materials and newspaper accounts related to the production of 11 itinerant movies filmed in the Midwestern United States in the 1920s, this article examines the relationship between the itinerant films and community newspapers. By supporting these productions, these newspapers used a relatively new communication technology as a way to solidify their civic position. They helped create an intensely local product featuring recognizable landmarks, businesses and people that offered readers a way to combat the loss of community and place in an increasingly networked society.
腹地的好莱坞:20世纪20年代的报纸、流动电影和社区认同
流动电影代表了20世纪上半叶一种重要的媒介和文化现象,并提供了一种大众文化产品的本土化形式。本文通过对20世纪20年代在美国中西部拍摄的11部流动电影的档案资料和报纸报道的分析,探讨了流动电影与社区报纸之间的关系。通过支持这些作品,这些报纸使用了一种相对较新的通信技术来巩固他们的公民地位。他们帮助创建了一种强烈的本地产品,以可识别的地标、企业和人物为特色,为读者提供了一种在日益网络化的社会中对抗社区和位置丧失的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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