Film Censorship in Argentina: 1958-1976

C. Rocha
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Abstract

In this article, I trace the emergence and impact of legislation that regulated film in Argentina from 1957-1976—a tumultuous period given that military governments continually interrupted democratic administrations. Contrary to what has been long held that censorship began during the revolucion libertadora, I make the case that censorship legislation was first passed during the democratic government of Arturo Frondizi (term of office 1958-1962). This legislation prioritized the projection of a poster-image of the nation, the protection of Catholic values, and the promotion of shared national beliefs. This early legislation paved the way for the instauration of film censorship in 1968—as well as the regulations on censorship approved up until March 1976, when a new dictatorship took over—, but was met with antagonism from several different social actors at that time. Several resonant cases illustrate the dynamic censorship-freedom of expression that characterized the 1958-1976 period.
阿根廷的电影审查制度:1958-1976
在这篇文章中,我追溯了1957年至1976年期间阿根廷电影监管立法的出现和影响——鉴于军政府不断干扰民主管理,这是一个动荡的时期。与长期以来认为审查制度始于解放者革命的观点相反,我认为审查立法最初是在阿图罗·弗朗迪齐(Arturo Frondizi,任期1958-1962)的民主政府期间通过的。这项立法的重点是树立国家形象、保护天主教价值观和促进共同的民族信仰。这项早期的立法为1968年电影审查制度的恢复铺平了道路,直到1976年3月一个新的独裁政权接管后,审查制度才得到批准,但当时遭到了来自几个不同社会行动者的反对。几个引起共鸣的案例说明了1958-1976年期间动态的言论审查自由。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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