Analyzing Literary Texts through Functional Grammar

Naveed Rehan
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Abstract

Functional Grammar (FG) or Systemic Linguistics was developed by Michael Halliday in the 1960s as a model of grammar to show how language functions in a text. Unlike formal grammar, FG focuses on the contextual functions of language. In this paper I analyze and compare two texts through the lens of Functional Grammar. I attempt to show that FG is a useful tool for analyzing literary texts. The texts I use are excerpts from two essays: “Love” by D. H. Lawrence, and “A Short History of Love” by Lawrence Stone. Canonical writers of English like D. H. Lawrence or James Joyce—to give but two examples—often depart from traditional grammatical rules in order to make their language express something that correct grammar is incapable of communicating. Functional Grammar uncovers fascinating details about how writers construct their texts in keeping with their purpose and audience. While both the texts I analyze talk about the same phenomenon (romantic love) and reach the same conclusions, the means by which they reach these conclusions are very different—Lawrence uses a highly subjective and rhetorical style, whereas Stone, a historian, presents a more objective and scientific argument. My aim is to show that language users have linguistic choices and that these choices are seldom neutral.
用功能语法分析文学文本
功能语法(FG)或系统语言学是由迈克尔·韩礼德在20世纪60年代发展起来的,作为语法模型来展示语言在文本中的功能。与形式语法不同,FG侧重于语言的语境功能。本文从功能语法的角度对两个文本进行了分析和比较。我试图证明FG是分析文学文本的一个有用工具。我使用的文字节选自两篇文章:d·h·劳伦斯的《爱》和劳伦斯·斯通的《爱的简史》。像d.h.劳伦斯和詹姆斯·乔伊斯这样的英语权威作家——仅举两个例子——经常偏离传统的语法规则,以使他们的语言表达正确语法无法表达的东西。功能语法揭示了作者如何根据其目的和受众构建文本的迷人细节。虽然我分析的两篇文章都讨论了同样的现象(浪漫的爱情)并得出了同样的结论,但他们得出这些结论的手段却截然不同——劳伦斯使用了高度主观和修辞的风格,而史通作为历史学家,则提出了更客观和科学的论点。我的目的是表明语言使用者有语言选择,而这些选择很少是中立的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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