The African Renaissance Reconsidered: a Synopsis into its Aesthetic and Ideological Manifestations in Modern African Literature

Amal Jlel
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Abstract

This paper is a literary re-interpretation of the African Renaissance. The post-World War II period witnessed an increasing scholarly interest in the African Renaissance. Yet, the emphasis has largely been on the political and economic aspects of the African Renaissance with no significant consideration of its aesthetic and ideological manifestations in contemporary African literature. This article will, however, reconsider the African Renaissance in a new light by studying its contribution in the production of a distinguished contemporary literary African output. I will, accordingly, use Amos Tutuola’s Feather Woman of the Jungle and Ayi Kwei Armah’s Two Thousand Seasons as two illustrative samples of this post-colonial early literary endeavour to partake in the revival process.
重新审视非洲文艺复兴:非洲现代文学的审美与意识形态表现
本文是对非洲文艺复兴的文学再阐释。二战后,学术界对非洲文艺复兴的兴趣日益浓厚。然而,重点主要集中在非洲文艺复兴时期的政治和经济方面,而没有考虑其在当代非洲文学中的美学和意识形态表现。然而,本文将通过研究非洲文艺复兴对杰出的当代非洲文学产出的贡献,从新的角度重新考虑非洲文艺复兴。因此,我将以阿莫斯·图图奥拉的《丛林中的羽毛女人》和阿依·奎·阿玛的《两千季》为例,作为后殖民时期早期文学努力参与复兴过程的两个例证。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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