Rudolf Modley and the Americanization of Isotype

G. Sandner
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引用次数: 0

Abstract

Rudolf Modley was an associate at Otto Neurath’s Social and Economic Museum in interwar Vienna, where the Vienna Method of Pictorial Statistics was developed. It became Isotype (International System of Typographic Picture Education) from the mid-1930s. Modley went to the United States as early as 1930 and founded Pictorial Statistics, Inc., in New York in 1934 and Pictograph Corporation in 1940. In the decades after 1945 Modley’s activity profile fanned out, but he continued to be active in the field of information design. In his last twelve years, he codesigned the Glyphs Project with cultural anthropologist Margaret Mead, which aimed to create a limited number of universally understood symbols. Although Modley was strongly influenced by his early professional experiences with Otto Neurath, he evolved in the United States away from the visual education work practiced in Vienna. His work was therefore not a linear continuation of Isotype, but an attempt to adapt the visual language to American conditions.
鲁道夫·莫德利与同型的美国化
Rudolf Modley是两次世界大战之间维也纳Otto Neurath社会经济博物馆的一名助理,维也纳图形统计方法就是在这里发展起来的。从20世纪30年代中期开始,它成为Isotype(国际印刷图片教育系统)。莫德利早在1930年就去了美国,1934年在纽约成立了“图片统计公司”,1940年在纽约成立了“象形文字公司”。在1945年之后的几十年里,莫德利的活动概况呈扇形分布,但他继续活跃在信息设计领域。在他生命的最后12年里,他与文化人类学家玛格丽特·米德(Margaret Mead)共同设计了“象形文字计划”(Glyphs Project),旨在创造数量有限的、被普遍理解的符号。尽管Modley受到Otto Neurath早期专业经验的强烈影响,但他在美国的发展远离了维也纳的视觉教育工作。因此,他的作品不是对Isotype的线性延续,而是试图使视觉语言适应美国的情况。
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CiteScore
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