ON THE MANUFACTURE TECHNIQUE OF PSEUDO-TWISTED WISPS OF THE PECTORAL FROM THE TOVSTA MOHYLA BARROW

L. Babenko
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Abstract

The pectoral from the Tovsta Mohyla is an astonishing artifact which gathered different technical ways of Hellenic jewelry art. During this jewelry, which is composed of more than 160 details, a few dozens of different technical operations had been used. Till that time the less understood thing is a complex of ways that have been used by a craftsman during manufacturing of four pseudo-twisted hollow wisps, that framed figured pectoral friezes. None of the proposed reconstructions doesn’t give clear understanding on the most important elements of the technologic process of manufacture of the wisps, namely — technical operations used by an artisan for obtaining the verisimilar relief of a twisted wisp on hollow tubes. A definite clue for resolving this question can be given by construction of the torque from the Kul-Oba burial, a wisp of which consisted of a bronze twisted stem covered with a gold plate. Such construction could generate the idea of the manufacturing of hollow relief wisps with twisting imitation. To obtain them the craftsman twisted a wisp matrix from seven bronze wires. On that wisp a heat sealed tube rolled of thin gold sheet was placed. By the means of the basma technique — by pressure of wooden, bony or metal tools on a gold sheet, a twisted relief was squeezed at the tube. Then the tube was unscrewed from the matrix by turning around its radial axis towards a thinner tip of the matrix. The torque from the Solokha burial mount also has similar wisp construction. It stands for the fact of using identical technology during their manufacturing and of possible manufacturing of the pectoral and the torque by goldsmiths of the same workshop, or even by the same artisan.
用牛头草制作胸肌假捻丝的工艺研究
Tovsta Mohyla的胸脯是一件令人惊讶的人工制品,它汇集了希腊珠宝艺术的不同技术方法。在这个由160多个细节组成的珠宝中,使用了几十种不同的技术操作。在此之前,人们不太了解的是一种复杂的方法,一名工匠在制造四根假扭曲的空心线时使用了这种方法,这些线是用来框框胸围的。所有提出的重建都没有对制造螺旋的技术过程中最重要的要素给出清晰的理解,即工匠在空心管上获得扭曲螺旋的真实浮雕所使用的技术操作。解决这个问题的明确线索可以通过库尔-奥巴墓葬的扭矩结构来给出,其中一缕扭矩由一根覆盖着镀金板的青铜扭曲茎组成。这样的结构可以产生制造扭曲模仿的空心浮雕缕的想法。为了得到它们,工匠用七根铜线拧成一缕矩阵。在那一缕上放置了一根由薄金箔卷成的热密封管。通过巴斯马技术的手段-通过在金片上施加木制,骨或金属工具的压力,扭曲的浮雕被挤压在管子上。然后,通过将管的径向轴转向基质的较薄尖端,将管从基质上拧下来。来自索洛卡埋葬坐骑的扭矩也有类似的缕缕结构。它代表了在它们的制造过程中使用相同的技术,并且可能由同一车间的金匠,甚至由同一工匠制造胸肌和扭矩。
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