“Where Were You When You Found Out Singer Bobby Caldwell Was White?”

N. Eidsheim, Schuyler Whelden
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引用次数: 1

Abstract

In this chapter, we discuss the dramatic narrative arc of what we call the timbre–race equilibrium, particularly how it unfolds in discourse around the career of singer Bobby Caldwell and during the blind auditions for the televised singing competition The Voice. We outline how audience confusion about Caldwell’s racial identity has served as a reliable source of conversation and so-called clickbait. We also examine two instances in which The Voice employs this narrative arc, with the show’s judges serving as listener-protagonists. These judges model a way of listening for the home audience, enacting what Eidsheim calls “informal listening pedagogy.” In witnessing an effort to repair the rupture that occurs when race and timbre fail to align as expected, the public is entrained into normative—in this case, racialized—listening. In short, these examples model how we train ourselves, through this cyclical narrative arc, to hear timbre as racialized essence.
“当你发现歌手鲍比·考德威尔是白人时,你在哪里?”
在本章中,我们将讨论所谓的音色种族平衡的戏剧性叙事弧线,特别是它是如何在围绕歌手鲍比·考德威尔的职业生涯和电视歌唱比赛《好声音》的盲选过程中展开的。我们概述了观众对考德威尔种族身份的困惑如何成为对话和所谓标题党(clickbait)的可靠来源。我们还研究了《美国好声音》采用这种叙事弧线的两个例子,节目的评委是听众和主角。这些评委为家庭听众树立了一种倾听的模式,实施了艾德海姆所说的“非正式倾听教学法”。当种族和音色未能像预期的那样一致时,在见证修复破裂的努力时,公众被卷入了规范的——在这种情况下,种族化的——倾听。简而言之,这些例子示范了我们如何训练自己,通过这个循环叙事弧,听到音色作为种族化的本质。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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