Prose and theatre. A stage vision of director Alexandru Cozub

Ana Ghilaş
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Abstract

Th e interference of the arts, respectively the inter- and trans-disciplinary methods, constitute the perspectives of approaching the show “Frunze de dor”/”Leaves of Longing” based on the novel of the same name by Ion Druță. Th e stage adaptation and direction belong to Alexandru Cozub, artistic director and fi rst director of “Mihai Eminescu” National Th eater from Chisinau. Th e object of research is the relationship between prose and theater, the forms of theatricality in the narrative literary text and the artistic ways of their scenic realization in the show. In this context, the specifi cs of the artistic vision of the prose writer I. Druță, his style and the way of reception and creation of the scenario by the director A. Cozub, as well as the artistic realization of the show, are highlighted. Th e director preserved the consecutiveness of the development of the action, the main scenes from the lyrical Druțian novel, creating a theatrical discourse in which the transition from epic to dramatic is fully manifested, the authorship and orality being, for the most part, transmitted to the choir or to specifi c characters, thus demonstrating that the voice of the author in the epic work acquires a certain dramatic intensity in the stage action
散文和戏剧。导演亚历山德鲁·科祖布的舞台视觉
艺术的介入,跨学科和跨学科的方法,构成了对伊安Druță同名小说改编的展览《思念的叶子》的解读视角。舞台改编和导演由基希讷乌国家舞台剧《米海·埃米内斯库》的艺术总监、首任导演亚历山德鲁·科祖布担任。本文的研究对象是散文与戏剧的关系、叙事文学文本中戏剧性的表现形式及其在戏剧中的景观实现的艺术方式。在此背景下,着重分析了散文家I. Druță的艺术视野、风格以及导演A. Cozub对剧本的接受和创作方式,以及该剧的艺术实现。导演保留了动作发展的连续性,主要场景来自抒情小说Druțian,创造了一种戏剧话语,充分体现了从史诗到戏剧的过渡,作者和口语性在很大程度上传递给了合唱团或特定的人物,从而表明史诗作品中作者的声音在舞台动作中获得了一定的戏剧强度
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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