Semiotic Niche Construction in Musical Meaning

Pedro Atã, J. Queiroz
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Abstract

According to Peirce’s pragmatic semiotics, meaning (semiosis) is not an infused concept, but a power to engender interpretants. Semiosis is a triadic, context-sensitive (situated), interpreter-dependent (dialogic), materially extended (embodied and distributed) dynamic process. Although meaning is context-sensitive and materially extended, its locus is not well-captured by the notion of an environment. Inspired by biological concepts, we suggest the locus of meaning to be a niche. Here, we develop a semiotic account of musical meaning that emphasizes the location of musical signs in semiotic niches.
音乐意义中的符号位建构
根据皮尔斯的语用符号学,意义(符号学)不是一个被灌输的概念,而是一种产生解释者的力量。符号学是一个三位一体的、上下文敏感的(情境)、解释器依赖的(对话)、物质扩展的(具体化和分布的)动态过程。虽然意义是上下文敏感和物质扩展的,但它的轨迹并没有被环境的概念很好地捕获。受生物学概念的启发,我们建议将意义所在作为一个生态位。在这里,我们发展了一种音乐意义的符号学解释,强调音乐符号在符号学壁龛中的位置。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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