Cloned This Way: Emphatic Dissonance and Mixed Messages in the Representations of Non-Heterosexual Sex Acts in Three Television Series

Vincent W. Youngbauer, Joseph Jones
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引用次数: 1

Abstract

The United States has experienced increasing social and political acceptance of LGBTQ culture. This increasing acceptance has been accompanied by increased representations of LGBTQ in popular culture, particularly television, and, in the case of this work, fictional narratives. While there are certainly representations that are worthy of the term “trailblazing” in their treatment of LGBTQ relationships, many seem to be included in plotlines for shock value. This article discusses and explores three questions: First, what impact might media representations have on heteronormative understandings of LGBTQ culture? Second, does acceptance of LGBTQ culture follow any sort of historical trajectory that is similarly evident in other examples such as with changes in the representation of race over the history of television? And third, how might the representations reviewed in this article affect the struggle for LGBTQ rights?
这样克隆:三部电视剧中非异性性行为表现中的强烈不和谐与混杂信息
美国社会和政治对LGBTQ文化的接受程度越来越高。随着人们对LGBTQ的接受程度越来越高,LGBTQ在流行文化中的表现也越来越多,尤其是在电视上,在这部作品中,小说叙事也越来越多。虽然在处理LGBTQ关系方面,确实有一些表现值得被称为“开创性”,但许多表现似乎都被纳入了令人震惊的情节。本文讨论并探讨了三个问题:第一,媒体表现对异性恋对LGBTQ文化的理解有何影响?其次,对LGBTQ文化的接受是否遵循某种历史轨迹,这在其他例子中也很明显,比如电视历史上种族表现的变化?第三,本文所回顾的这些表现如何影响LGBTQ权利的斗争?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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