Nexus of Art and Science: The Centre for Computational Neuroscience and Robotics at University of Sussex

C. Aicardi
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Abstract

The author explores the relationships between science and art that have developed at the Centre for Computational Neuroscience and Robotics (CCNR) of the University of Sussex, which harbours an internationally renowned, leading research group in Artificial Life, Cognitive Science and Evolutionary Robotics. The aim is to establish whether and how interdisciplinary art-science practices at CCNR may lead to novel forms of knowledge production. Using fieldwork material as well as bibliographic and web resources, it showcases a number of initiatives and realizations. It also examines how individual researchers may understand, conceptualize, and justify, their experience and practice at the art-science junction in Artificial Life. This paper derives from the author’s PhD research project, of which a main focus has been to investigate interdisciplinary practices in the field of Artificial Life, which cross over the ”˜two cultures’ divide. Artificial Life art is a predominant case of such interdisciplinarity crossover in the ield of Artiicial Life in general, and in the Sussex research group in particular.
艺术与科学的联系:苏塞克斯大学计算神经科学和机器人中心
作者探讨了在苏塞克斯大学计算神经科学与机器人中心(CCNR)发展起来的科学与艺术之间的关系,该中心拥有一个国际知名的、领先的人工生命、认知科学和进化机器人研究小组。目的是确定CCNR的跨学科艺术科学实践是否以及如何导致新形式的知识生产。利用田野调查资料以及书目和网络资源,它展示了一些倡议和实现。它还考察了个体研究人员如何理解、概念化和证明他们在人工生命中艺术与科学结合的经验和实践。本文源于作者的博士研究项目,其中一个主要重点是调查人工生命领域的跨学科实践,跨越“两种文化”的鸿沟。人工生命艺术是人工生命领域跨学科交叉的主要案例,特别是在苏塞克斯研究小组中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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