The Political Dimension in Arab Contemporary Art through the Marcuse Aesthetic Theory: A Descriptive Analytical Study

M. Salameh, Y. M. Rafee
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Abstract

This paper discusses the political dimension in Arab contemporary art based on the Marcuse aesthetic theory. The researchers believe there is a high correlation between Arab contemporary art and Marcuse aesthetic theory when the three main axes of this theory are tested and reflected on contemporary Arab artworks (study sample). This study attempts to describe and analyze the artworks (study sample) and link this analysis to Marcuse theory. The study sample contains three Arab contemporary artworks from 2010-2015 to clarify the political dimension in Arab contemporary art in accordance with the Marcuse aesthetic theory. The findings prove strong correlations between Arab contemporary art and Marcuse aesthetic theory.
从马尔库塞美学理论看阿拉伯当代艺术中的政治维度:描述性分析研究
本文以马尔库塞美学理论为基础,探讨阿拉伯当代艺术中的政治维度。研究人员认为,阿拉伯当代艺术与马尔库塞美学理论之间存在高度相关性,当这一理论的三个主轴在当代阿拉伯艺术作品中进行测试和反思时(研究样本)。本研究试图描述和分析艺术品(研究样本),并将此分析与马尔库塞理论联系起来。本研究样本包含2010-2015年间的三件阿拉伯当代艺术作品,旨在根据马尔库塞美学理论阐明阿拉伯当代艺术中的政治维度。这些发现证明了阿拉伯当代艺术与马尔库塞美学理论之间的强烈相关性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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