ASSOCIATED RATIO IN ARCHITECTONY OF THE NOVEL BY H. TIUTIUNNYK “ZAVIAZ”

O. Likhachova
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Abstract

The article deals with the motive analysis in the work of G. Tiutiunnyk, the connection between the motive and the plot in the novel “Zaviaz” is updated. The purpose of the article is an updated, methodologically pluralistic, multilevel analysis of the poetics of the prose of H. Tiutiunnyk in the organic interconnection and interaction with such macrostructures as the conceptual and dialogic nature of the conflict of the work, as a plot and «philosophy of composition»; an updated interpretation (on the phenomenological and hermeneutic levels) of the work of the writer’s prose “archetypal plot” and the role of large and small “associative fields”, their “binary pairs” in the process of implementation and self-deployment of the composition. It was in this context that the subject of the analysis was the novel “Zaviaz of H.Tiutiunnyk. Emphasis is placed on the existential perception of the author. It is characterized the binary pairs that grow rapidly, pulsating, generating all the other, new and unexpected dynamic bonds, images, symbols, associative crossings, dialogical positions and their circulation; in fact, it is this self-motion of all the structures in the work that is the essence of the internal self-deployment of the composition; they — in dynamics — are the key, supporting, semantically and figuratively charged nuclei, in the process of splitting distinguishing the conceptual and compositional energy of the work. It is noted that associative areas and their dynamic connections in the prose of the writer are deeply thought out, deliberately organized and designed: from the real life and the spiritual world of the author, his characters — again aimed at the core of the same real life.
蒂乌廷尼克小说《扎维亚兹》中建筑学的关联比率
本文对蒂乌廷尼克作品中的动机分析进行了探讨,并对小说《扎维亚兹》中动机与情节的关系进行了更新。本文的目的是对蒂乌廷尼克散文的诗学进行更新的、方法论上多元的、多层次的分析,分析其与作品冲突的概念性和对话性、情节性和“创作哲学”等宏观结构的有机联系和相互作用;更新解读(现象学和解释学层面)作品中作家散文的“原型情节”和大小“联想场域”的作用,它们的“二元对”在构成过程中的实施和自我展开。正是在这种背景下,分析的主题是小说“扎维亚兹的H.Tiutiunnyk。重点放在作者的存在感上。它的特点是迅速增长的二元对,脉动,产生所有其他的,新的和意想不到的动态键,图像,符号,联想交叉,对话位置及其循环;事实上,正是作品中所有结构的这种自我运动,才是构图内部自我展开的本质;在区分作品的概念能量和构成能量的分裂过程中,它们——在动力学上——是关键的、支持的、语义上和形象上带电的核心。我们注意到,作者散文中的联想区域及其动态联系是经过深思熟虑、精心组织和设计的:从作者的现实生活和精神世界出发,他的人物——再次瞄准同一个现实生活的核心。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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