Media architecture: participation through the senses

K. Urbanowicz, Lucyna Nyka
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引用次数: 11

Abstract

Pervasive media and interactive technologies have become inseparable not only from our everyday life but also from architecture and city spaces. However, the generic use of new technologies in the design process and material production that affects contemporary architecture, results in buildings that become mere visual objects losing their hapticity and non-visual qualities. Despite the substantial advancement in the research studies on human sensorial perception, the potential of cities to affect and co-create our sensuous experiences has diminished dramatically. The paper examines recent artistic practices that involve new media technologies focusing on their potential to create interactive environments that due to their multi-sensory qualities induce people to participate through their senses. The steadily growing interest in exploration of the role of media and interactive technologies in generating sensorial experiences establishes an important direction toward new kinds of their applications in architecture and city spaces. This work emphasizes the power of media and interactive technologies as important tools that incorporated in architecture demonstrate the ability to enrich the sensory perception of the cities.
媒介建筑:感官参与
无处不在的媒体和互动技术不仅与我们的日常生活密不可分,也与建筑和城市空间密不可分。然而,新技术在设计过程和材料生产中的普遍应用影响了当代建筑,导致建筑成为纯粹的视觉对象,失去了它们的触觉和非视觉品质。尽管对人类感官知觉的研究取得了长足的进步,但城市影响和共同创造我们感官体验的潜力却急剧下降。本文考察了最近涉及新媒体技术的艺术实践,这些技术侧重于创造互动环境的潜力,这种环境由于其多感官特性而诱导人们通过感官参与。对媒体和互动技术在产生感官体验中的作用的探索日益增长的兴趣,为它们在建筑和城市空间中的新型应用奠定了重要的方向。该作品强调了媒体和互动技术作为建筑中重要工具的力量,展示了丰富城市感官感知的能力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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