{"title":"Hybrid Art: fraught relationships with nature and technology","authors":"Maria Manuela Lopes","doi":"10.1145/3483529.3483789","DOIUrl":null,"url":null,"abstract":"Hybrid Art: fraught relationships with nature and technology is a series of installations produced in 2021 for the “Hybrid Culture” exhibitions (3 different ones in distinct locations as part of “Viver ao Vivo” project) and for the “Contingency” exhibition (ARTECH 2021). These installations arise from the focus on images produced in scientific laboratories and my ethnographic exploration of the relation between what I considered to be different virtual archival spaces (i.e. the natural environment, the studio, the art gallery, the laboratory, my body). Its main aim was to establish a critical link between the scientific images and practices and visual arts, in a highly technical society where the experience of nature is somehow mediated, as well as memories, and there is a sense of technically constructed nature.","PeriodicalId":442152,"journal":{"name":"10th International Conference on Digital and Interactive Arts","volume":"7 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"10th International Conference on Digital and Interactive Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/3483529.3483789","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Hybrid Art: fraught relationships with nature and technology is a series of installations produced in 2021 for the “Hybrid Culture” exhibitions (3 different ones in distinct locations as part of “Viver ao Vivo” project) and for the “Contingency” exhibition (ARTECH 2021). These installations arise from the focus on images produced in scientific laboratories and my ethnographic exploration of the relation between what I considered to be different virtual archival spaces (i.e. the natural environment, the studio, the art gallery, the laboratory, my body). Its main aim was to establish a critical link between the scientific images and practices and visual arts, in a highly technical society where the experience of nature is somehow mediated, as well as memories, and there is a sense of technically constructed nature.
“混合艺术:充满自然和技术的关系”是2021年为“混合文化”展览(作为“Viver ao Vivo”项目的一部分,在不同的地点有三个不同的展览)和“偶然性”展览(ARTECH 2021)制作的一系列装置作品。这些装置源于对科学实验室中产生的图像的关注,以及我对不同虚拟档案空间(即自然环境,工作室,艺术画廊,实验室,我的身体)之间关系的民族志探索。它的主要目的是在科学图像、实践和视觉艺术之间建立一个关键的联系,在一个高度技术的社会中,自然的体验和记忆以某种方式被调解,并且有一种技术构建的自然感。