{"title":"The Realistic Method and the “Filmic”","authors":"A. Kluge","doi":"10.7591/cornell/9781501739200.003.0011","DOIUrl":null,"url":null,"abstract":"This chapter assesses the last remaining, untranslated portions from Alexander Kluge's aforementioned essay collection of 1975 on antagonistic realism, Gelegenheitsarbeit einer Sklavin. People usually learn about the deductive method in educational institutions. Starting with laws, rules, and values, people then descend to their application or illustrate them with examples. Reality is represented. The principle of illustration is that abstraction regulates concretion by destroying it. Film seems to develop an oppositional program to this tendency. Its raw material is apparently made up of concrete depictions. According to its qualitative edict, it has little appreciation for thought. It lacks the polished and universal quality of a so-called trade language. The majority of its products are oriented toward the direct imitation of reality.","PeriodicalId":345609,"journal":{"name":"Difference and Orientation","volume":"197 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Difference and Orientation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7591/cornell/9781501739200.003.0011","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
This chapter assesses the last remaining, untranslated portions from Alexander Kluge's aforementioned essay collection of 1975 on antagonistic realism, Gelegenheitsarbeit einer Sklavin. People usually learn about the deductive method in educational institutions. Starting with laws, rules, and values, people then descend to their application or illustrate them with examples. Reality is represented. The principle of illustration is that abstraction regulates concretion by destroying it. Film seems to develop an oppositional program to this tendency. Its raw material is apparently made up of concrete depictions. According to its qualitative edict, it has little appreciation for thought. It lacks the polished and universal quality of a so-called trade language. The majority of its products are oriented toward the direct imitation of reality.
本章评估了亚历山大·克鲁格(Alexander Kluge) 1975年关于对抗性现实主义的论文集(Gelegenheitsarbeit einer Sklavin)中最后剩余的未翻译部分。人们通常在教育机构学习演绎法。人们从法律、规则和价值观开始,然后深入到它们的应用或用例子来说明它们。现实被呈现出来。说明的原则是抽象通过破坏具体来调节具体。电影似乎发展了一种与这种趋势相反的程序。它的原材料显然是由具体的描绘组成的。根据它的定性法令,它很少欣赏思想。它缺乏所谓的贸易语言的精致和通用的品质。它的大部分产品都以直接模仿现实为导向。