STUDY ON APPLICATION OF MASK-LIKE FACIAL MAKEUP OF CHINESE BEIJING OPERA IN FASHION DESIGN

Mei-chun Chen, Fu-yuan Li
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Abstract

In order to explore the cultural value of Chinese opera, this paper discusses the lavishness of Beijing Opera from a design perspective. this paper finds that the movement, narration, cue, costume, stage props and mask like facial make-ups (Lianpu) in the performance all have their specific symbolic meanings and aesthetic content. Lines, patterns and color of mask-like facial makeup indicate the traits and dispositions of the characters, such as loyalty, wickedness, righteousness, and evilness, as well as the norms of interpersonal relationships in the Chinese culture and society. This study aims to explore the mask-like facial makeup of Chinese Beijing Opera, analyze the meanings of different masks, establish the designing rules based on expert opinions, and apply such designing rules to fashion design. The findings are expected to bring new insights to the art of Chinese opera and propose image transformation design as reference for cultural and creative design.
中国京剧脸谱在服装设计中的应用研究
为了发掘中国戏曲的文化价值,本文从设计的角度来探讨京剧的铺张。本文发现,表演中的动作、叙事、线索、服装、舞台道具、脸谱等面具都有其特定的象征意义和审美内容。假面妆的线条、图案、色彩等都反映了人物的忠、邪、义、恶等性格特征,也反映了中国文化和社会的人际关系规范。本研究旨在探索中国京剧的脸谱,分析不同脸谱的含义,建立基于专家意见的设计规则,并将这些设计规则应用于服装设计。研究结果有望为中国戏曲艺术带来新的见解,并为文化创意设计提供形象转换设计的参考。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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