Verbalization of the concept WORD in Myroslav Dochynets’ creative works

H. B. Minchak, V. P. Zaskaleta
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Abstract

The article describes the structure and means of verbalization of one of the basic concepts in the individual author’s conceptual worldview of Myroslav Dochynets – the concept word. It is proved that the cross-cutting cultural concept in the writer’s work is connected with the spiritual sphere, with a person’s faith and morality, which is confirmed by the frequency of use, in particular in intertextems – titles of works and their epigraphs. The components of the nuclear, core, and peripheral zones of the concept field are described, actualizing the conceptual, figurative, and value components in the structure of the concept word. We determine the three-dimensionality of the given concept in Myroslav Dochynets’ works: mystical – creative – dualistic, which is metaphorically verbalized in actual metaphors, similes, personifications, epithets. The micro-contexts from the works of the writer presented in the article clearly testify to the involvement in the concept of the components of the moral-ethical and mental plans related to the implementation of the dichotomies own – others, good – evil, truth – lies, with the identification of the word with a person, with their people. It is found that this goes beyond the interpretation of the concept, verbalized in explanatory dictionaries of the Ukrainian language, and testifies to its originality in the cognitive continuum, its deep philosophical background, secret essence and archetypal character, which is stipulated by the writer’s attraction to folklore, Christian perception of the environment. The description of the verbalized concept, firstly, can be useful for compiling a semantic dictionary of the Ukrainian language and expanding the dictionary of the language of creative personalities of Ukraine in the second half of the 20th – beginning of the 21st century; secondly, it can be useful in the process of studying the Ukrainian language as a foreign language, because it produces illustrative material for learning the deep meanings of the national conceptual sphere.
米罗斯拉夫·多契涅茨创作中“词”概念的语言化
本文描述了作者个人对米罗斯拉夫文献的概念世界观中的一个基本概念——概念词的语言化结构和方法。作者作品中跨界的文化观念与精神领域、与人的信仰和道德息息相关,这一点在作品标题和题词的使用频率上得到了证实。描述概念场的核心、核心和外围区域的组成部分,实现概念词结构中的概念、比喻和价值组成部分。我们在密罗斯拉夫·多契涅茨的作品中确定了给定概念的三维性:神秘-创造-二元性,这在实际的隐喻、明喻、拟人、形容词中被隐喻化。文章中提出的作者作品的微观背景清楚地证明,涉及道德-伦理和精神计划的组成部分的概念与实施自己-他人、善-恶、真理-谎言的二分法有关,并将这个词与一个人及其人民等同起来。我们发现,这超越了对乌克兰语解释性词典中所描述的概念的解释,证明了它在认知连续体中的独创性,其深厚的哲学背景,秘密本质和原型特征,这是作者对民间传说的吸引力,基督教对环境的感知所规定的。对语化概念的描述,首先有助于编写乌克兰语语义词典,扩充20世纪下半叶至21世纪初乌克兰创造性人物语言词典;第二,它在作为外语学习乌克兰语的过程中是有用的,因为它为学习民族概念领域的深刻含义提供了说明性材料。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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